Sunday 22 July 2012

Around the world in 60 photographs

http://www.mid-day.com/lifestyle/2012/jul/160712-Around-the-world-in-60-photographs.htm

From the Indian wilderness to the magic of the African sun, the serene Himalayas to monks walking on sand, the mesmerising photographs by Kaustubh Upadhye and Gaurav Athalye capture the beauty of different lands.


The majestic tiger, (inset) one of the portraits at the exhibition

Both photographers, whose photographs are currently on display at an exhibition titled Missing Compass, share a common love for the wild. “This exhibition is a compilation of everything related to our travels that have taken us from the Himalayas to Africa’s tribes,” says Athalye, adding, “It includes photographs of animals, people and cultures from around the world. This is our fourth exhibition on the same lines.”

When it comes to the kind of photographs Athalye enjoys taking most, pat comes the reply: “Wildlife and portraits,” he says. Though, it is often patience, not passion that one needs to capture the best shots, believes Athalye.

Diverse inspiration
On display will be the beautiful landscapes of Ladakh, Sikkim and Bhutan. “Every photograph has a story behind it,” shares Athalye, who is happy to narrate the incidents that led to each photograph.


Upadhye and Athalye combine their love for travel and photography in the exhibition

The nature-based photographs are also an attempt to promote off-beat destinations to cosmopolitan residents, eager to explore exotic locations. “Our thirst for exploring unknown pockets in the planet is deep. Hence, we started Jungle Lore, a travel boutique that thrives on off-beat destinations,” he says.

The travel-hop shop
Products from The Jungle Lore store that is based on the three motivational factors that shape the group’s activities — wildlife conservation, travel and awareness through art — will be available.

Till July 17, 11 am to 8 pm
At Yashwantrao Chavan Art Gallery, Kothrud. 

http://www.mid-day.com/lifestyle/2012/jul/160712-Around-the-world-in-60-photographs.htm

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Thursday 19 July 2012

Wear India on your sleeve

http://www.mid-day.com/lifestyle/2012/jun/180612-Wear-India-on-your-sleeve.htm

For ages, artists all over the world have appreciated the beauty of Indian scripts and fonts. Be it David Beckham and Maroon 5 frontman Adam Levine sporting tattoos in Devanagari or people wearing Hare Rama Hare Krishna-printed apparel. And now, literature and fashion seem to have merged where various scripts of Indian languages have been used as inspiration on fabric.


Singer Usha Uthup wears a sari with her Bengali song printed on it

India on a weave
Actress Vidya Balan, who always seems to create a flutter with her sari chic, recently wore a Masaba Gupta sari with a Tamil script printed on it. The result was a mix of quirk and traditional, adding an interesting element to an otherwise regular sari. “I liked the colours of the sari. Being a Tam-Brahm (Tamilian Brahmin), I liked the Tamil script on it. It is also very muted and understated,” shares Balan.


Actress Vidya Balan wearing a Masaba design with Tamil script on it

Another artiste from the field of entertainment whose taste in saris always catches the eyeballs is iconic singing star, Usha Uthup. In collaboration with Kanishka Sarees from Kolkata, Uthup created a range where several songs of hers were printed in different Indian languages.


Designer Ashish printed Hare Rama Hare Krishna for the London Fashion Week in February 2012

“While travelling abroad people buy souvenirs and T-shirts such as the I Love New York tee. I felt why not use our own font to create something beautiful that is symbolic to our culture? For this, I took Nandita Raja’s (from Kanishka Sarees) help and created saris with different scripts on them. One of these has my song Kolkata Don’t Worry on it in Bengali; there’s Come To Bombay in the Devanagari script, a Tamil song, a Malayalam song and even Urdu printed on saris, salwar kameezes and shawls.


Designer Archana Kochhar’s alphabet shrug. Pic/ Rane Ashish

Wherever I have worn them, people have loved them as the font creates a sense of belonging to India, particularly when abroad. I have gifted these saris to the likes of Jane Fonda, Richard Gere, Amitabh Bachchan, Shabana Azmi and even Sonia Gandhi,” says Uthup, speaking to us from Dubai where she was set to perform. Raja from Kanishka Sarees, who specialises in block print saris says, “I had created saris with script on them almost 40 years back but people didn’t appreciate it then. However, people from all ages love wearing these saris today. We have them in Pali, Sanskrit, Malayalam and even Chinese and Japanese. Our material is exported to Japan and the US as well. Our shirts for men with scripts on it too have been well appreciated.”

Big in Japan
Fashion designer Narendra Kumar Ahmed recently created a clothing line for the Cool Japan Festival in Mumbai. For this, he used the Japanese font with a twist in his outfits, “The whole festival was about the Indo-Japan relationship. And, I felt the best way to represent it was to use the script. I got Rabindranath Tagore’s poem translated into Japanese and used it on the outfit.”


Designer Narendra Kumar Ahmed used a translated version of Tagore’s Where The Mind Is Without Fear on his collection

US-based designer Afshan Durani has created scarves and cushion covers with Persian poetry embroidered on them. Fashion designer Archana Kochhar, too, created shrugs entirely out of Hindi alphabets for one of her collections.

“Ikkat saris with verses of the Gita-Govinda were traditionally offered at Puri’s Jagannath temple. Also, commissioned Ikkat saris with love poems have been found in Odisha. Several artists have used the trend of scripts on saris before. Artist-designer Riten Majumdar has been making script prints on cloth in Bengal’s Shantiniketan, (he later moved to Delhi) for quite some time,” reiterates Rta Kapur Chishti, author of Saris of India. 

http://www.mid-day.com/lifestyle/2012/jun/180612-Wear-India-on-your-sleeve.htm

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Selling fashion, the pop-up way

Pop-up shops, popular in countries like Canada, the US, Britain and Australia, are temporary shops, which sell goods for a limited period of time, then shut down and move elsewhere.

Mandira Lamba (L) and Ridhi Bhalla

Delhi-based Mandira Lamba and Ridhi Bhalla have a design house Fab Connection, through which they offer collections of designers like Anand Bhushan, Rimjhim Dadu and Shivan-Naresh. But they decided to be different in their retail style.

"Pop-up retail allows a company to create a unique environment that engages their customers as well as generates a feeling of relevance and interactivity," Lamba told IANS.

"The concept has been in existence in the West for a while now. When Fab Connection was thought of, we decided to follow this trend rather than a mere retail store," Bhalla added.

US-based retail company Target was the first to start the pop-up shop concept around 2003. It set the momentum for other big retailers to adopt the trend.

In 2006, Walmart tried the concept when it introduced its fashion line Metro 7. Five years later, cosmetic brand MAC and consumer electronic company Apple adopted the strategy to launch their new collections.

Even lifestyle brands like Tommy Hilfiger and Louis Vuitton adopted the concept in the past and organised pop-up stores in several cities.

For many, the concept of pop-up retailing gained more significance at the time of global recession in the year 2008-09. It was during that time when most commercial real estate companies started offering empty spaces in malls and shopping centres on lease.

"Today, this concept has turned out to be a marketing tool to drive customers. With limited stock and time constraint, customers take quick decisions during purchase of products," Shubham Gupta, a designer, who toyed with the idea of organising pop-up shops in cities like Hyderabad and his native Bangalore, told IANS.

Bhalla says the pop-up concept also adds exclusivity to a brand.

"The whole idea is to brand ourselves as a pop-up shop, different from a retail store. This makes us exclusive. From the feedback, we can confidently say that with the concept we have developed, clients wait for 'What's next'," she added.

In India, this concept has been successfully tried by Obataimu, a design studio based in Mumbai. Last year it opened a pop-up store in Colaba, offering an eclectic collection of menswear, accessories and knick-knacks.

Pocket Electric, a part of Bombay Electric, a fashion store, also tried a pop-up store in Delhi's Garden of Five Senses for three months in 2008.

Another name backing the concept is Pernia Qureshi, who feels shopaholics are attracted more towards items that aren't easily available.

"Fashion should be accessible to all. As India grows, so do the aspirations of young people everywhere in the country. People like what's not available to them. When something is available for a limited period of time, hype surrounds the brand. That not only attracts more customers but also assists in marketing," Qureshi told IANS.

Qureshi also plans to organise pop-up shops in cities where there is limited access to design wear.

"Over time we will scale up the structure and increase the number of designers. I'm planning to do an online limited edition soon with some of the known designers. This collection would also be part of my pop-up shop. I want to take the designer wear to cities which don't have huge potential for designer collections," she said.

While many believe such concepts give a push to business, does it affect their devoted clientele?

"The pop-up shops will open and shut, but we as a brand will always be there and people can visit our other branches to buy their pieces," said Gupta.


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